It’s a valid question, really. Why are we so fascinated by stories of Zeus, Thor, or Anubis? Why do these stories get retold over and over, in different forms and across different mediums, in different societies across the world?
These questions are ones I want to answer, but I didn’t feel qualified enough to do so without any research first. So like any curious soul seeking knowledge, I read a book.
Found at the local library, it was called The Universal Myths: Heroes, Gods, Tricksters and Others by Alexander Eliot. Now this is not the author’s only work regarding mythology—his other books bear titles like The Timeless Myths and The Global Myths, which gives you an idea of this author’s expertise. It went into such great depth and detail that I highly suggest reading it for yourself, since the collection of quotes and explanations below are just the tip of the iceberg on this topic.
One of Eliot’s first points is that myths are very complex. He states: “No wonder myth eludes definition. It’s not something which we can isolate for a close look. The primal myths are built into our brains, our genes, and our blood. However distant they may seem, they still surround, embrace, imbue, and color human consciousness.” 
Poetic, no? Essentially, mythology cannot be so simply categorized. Myths are, in many ways, like history—a deeply ingrained part of humanity.
But what exactly does “myth” mean? According to Mircea Eliade (a Romanian historian and professor who helped write the book), the exact definition of the word doesn’t adhere to our expectations of it. For those living in the nineteenth century, “‘myth’ was anything that was opposed to ‘reality.’ . . . the word mythos in Greek meant ‘fable,’ ‘tale,’ ‘talk,’ or simply ‘speech,’ but it came be used in contrast with logos and historia, thus coming to denote ‘that which cannot really exist.’” 
So really, in the past a myth meant any type of story told, but then over time it became a contradiction to fact. Interesting indeed.
So how do myths come about? Now that question has a very long, complicated answer, but to use the words of Andrew Lang (a Scottish poet and anthropologist who also co-wrote this book): “myths reflect actions, ideas, and institutions which actually existed at some time in the past.” 
And I believe this reason plays a huge part in why mythology is so fascinating to us. It reflects the different cultures across the globe, and by learning about different myths, we also have the opportunity to learn about the ideals and mentalities of diverse societies.
But to go even more in depth, Eliot brings up Swiss psychiatrist C. G. Jung, the founder of analytical psychology. He asserts:
“Another attempt at psychological understanding of myth is that of C. G. Jung, whose theory of myth is interdependent on his theory of the collective unconscious. Indeed, it was mainly the striking similarities between myths, dreams, and symbols of widely separated peoples and civilizations which led Jung to postulate the existence of a collective unconscious. He noticed that the images and structure of this collective unconscious manifest themselves in regularly repeating forms, which he called ‘archetypes.’ Like Freud, Jung considered myth, dream, and fantasy to be the indifferent products of the unconscious . . . these mythical images are structures of the collective unconscious and are an impersonal possession.” 
In other words, mythology is an extension of the “collective unconscious,” or the part of the mind that stems from ancestral memory and experience and is a shared quality by all humankind, which is different from an individual’s unconscious. How truly fascinating.
In the modern day, we tend to categorize those past stories of demigods and demons as just another slice of fantasy, yet we can see that they are much more ambiguous than expected. They are a shared experience, a crucial part of humanity, and should not be so easily defined or scorned.
 Eliot, Alexander. The Universal Myths: Heroes, Gods, Tricksters and Others. New York: First
Meridian Printing, 1976. Print.
 The Universal Myths, 14
 Ibid, 17
 Ibid, 20
© 2017 Obliquity of the Ecliptic